Comic Art Legend: Frank Robbins

Born in Boston in 1917, Frank Robbins was a child prodigy who won an art scholarship at the age of nine. Having to forgo college due to the Great Depression, Frank drew for an advertisement firm handling illustrations for RKO Pictures. The artist also worked for Franklin Roosevelt's Works Progress Administration creating beautiful murals in the NBC building. Taking over the strip Scorch Smith from Noel Sickles in 1939, he found much success in the newspaper syndicate market. Asked to create his own aviation strip by King Features, Robbins created Johnny Hazard which debuted in 1944, heavily influenced by his main inspiration, Milton Caniff, which the creator wrote and drew until its cancellation in 1977. In the late 1960s when Robbin's income was shrinking due to his strips dwindling circulation, the artist worked a deal with Julie Schwartz at National Comics to write The Flash, Detective Comics, and Batman with his first story published in 1968. Having written for DC for four years, Robbins finally got the chance to showcase his unique art style in Detective Comics #416 in 1971 with the Caped Crusader taking on the dreaded Man-Bat. With most of DC's young fans being used to the realistic artwork of Irv Novick, Neal Adams, and Jim Aparo on the character, they had a hard time with Frank's loose line and exaggerated brushwork on Batman.

Even the president of National Comics, Carmine Infantino, did not care for his Batman drawings, but enjoyed the imaginative story lines the artist wrote, only editor Julie Schwartz backed and loved his moody dark style. Robbins drew various stories for Plop, Weird War Tales, The Shadow, House of Secrets, House of Mystery, and other titles before leaving DC for more appreciation at Marvel Comics. Asked to join the "House of Ideas" not for his excellent writing ability, but to illustrate a  number of their titles, Frank penciled, The Invaders, Captain America, Daredevil, The Man from Atlantis, What If?,  Ghost Rider, Adventures Into Fear, Powerman, and The Human Fly, just to name a few. Retiring from comics in 1979, Frank Robbins now concentrated on his fine art career being exhibited in various museums and galleries across the country before his passing in 1994 at the age of 77.

Gold Key Comics...Magnus, Robot Fighter 4000 A.D.

With his first appearance in Magnus, Robot Fighter 4000 A. D., #1 in 1963, writer and artist Russ Manning created a new "Tarzan" inspired character for the distant future. After working on the Edgar Rice Burroughs character for Gold Key and the newspaper syndicate, Manning got a chance to do his own series at Western Publishing, and decided to update the Ape Man mythos .But instead of being raised by primates this time, Magnus was reared by a benevolent robot called 1A who foresaw a very grim future in mankind's growing dependence on robots. Borrowing from Isaac Asimov's Three Laws of Robotics for the first issue, Magnus is trained by 1A as a warrior to protect humans from rogue machines and the humans who used them for their own evil purposes. Trained in an advanced martial arts, our hero can break steel with his bare hands and equipped with a telepathic device to "hear" all robot-to-robot communications. Magnus is the guardian of a sprawling North Am battling space pirates, aliens, wicked robots and other various threats. With the help of his girlfriend, the lovely Leeja Clane, her senator father, Victor Clane, and a boy's club known as "The Outsiders", Magnus has many exciting adventures done in in Manning's sleek streamline style for the first twenty one issues, before Russ left the feature. Paul Norris was chosen to take over the artwork for most of the remaining tales, along with lots of reprints to round out the series ended with issue #46 in January of 1977. But the popularity of the original series spawned new issues from Valiant Comics and Acclaim Comics in the nineties and currently under Dark Horse Comics even more stories of the robot fighter are being told.

 

My Greatest Adventure: The Flash

One of DC Comics most popular and longest lasting characters, The Flash was unique in that he single handily spawned the rebirth of super-heroes for National Comics in the dawn of the Silver Age. The Flash first appeared in Showcase #4 in the fall of 1956 written by the inventive Julius Swartz and sleekly illustrated by artist Carmine Infantino before getting his own series in February of 1959. Mild mannered Barry Allen worked for Central City's Police department as a scientist when a freak accident suddenly changed his dull life forever. As a stray bolt of lightning struck through his laboratory window one day and shattered a cabinet of chemicals on him, Barry Allen was bathed in a weird electrifying substance. Barry soon discovered he could now move at incredible speeds, being able to sprint up the sides of buildings, vibrate his own super-charged molecules through solid matter, and other various miraculous quick feats. Designing a special miniaturized red and yellow costume concealed in his signet ring, and taking the name of his Golden Age comic book idol, this Scarlet Speedster uses his new found super powers to fight crime as the world's "fastest man alive", The Flash.