Friday, July 18, 2008

National Cartoonist Society Profile: Walt Kelly



Offered here is the short NCS bio of one of the most important and influential strip cartoonist of our time, Walt Kelly, and his superb funny animal feature, Pogo with all its backwoods wit and political satire, never seen before or since... Born in beautiful Philadelphia, Pennsylvania, and raised to a crouch in Bridgeport, Connecticut. Went to school in Bridgeport, but caught nothing much so I went on to factory work plus intermittent starvation in newspapers...escaped to California in search of food at Walt Disney...did not find any after six years. Returned to New York and set out to (HA) improve comic books...did a bit of time with foreign language unit of the Armed Forces Institute...despite this the allies won the war, after which Pogo comic books went into strips via the New York Star of which I was Art Director, Senior Editor, Political Cartoonist and match game champ...loaded with this big talent, the Star folded...Pogo went into national orbit in 1949...now has 1560 papers, take or give 1000.

Tuesday, July 8, 2008

Spectacular Seventies Cover Prices



Check out some of these fantastic seventies cover prices pulled from the Comic's Buyers Guide from just one New Jersey dealer over a period of a few months. Some truly wonderful pieces by an assortment of comic artists. The most expensive of the bunch is a beautiful cover featuring the first appearance of Deadman by Neal Adams from Strange Adventures #207 for $500. A giant sum when compared to the other pieces on this list, but really a steal since three years ago it sold for over $16,000 at auction. Wonder what else is still out there in someone's attic or closet to be found besides these thirty-three cheep gems of comic art?

Curt Swan - Superman's Girl Friend, Lois Lane #102 - $50
Joe Kubert - Star Spangled War Stories #152 - $50
Neal Adams - Detective Comics #415 - $150
Curt Swan - Superman #228 - $50
Joe Kubert - Our Army at War #210 - $50
Howard Chaykin - Sword of Sorcery #2 - $175
Neal Adams - Strange Adventures #207 - $500
Howard Chaykin - Sword of Sorcery #3 - $135
John Romita - Amazing Spider-Man #40 - $150
Neal Adams - Superboy #152 - $70
Jim Starlin - Planet of the Apes #6 - $80
Curt Swan - Superman's Pal, Jimmy Olsen #123 - $45


Berni Wrightson - Kong, the Untamed #2 - $135
George Wilson - Dark Shadows #19 - $80
Mike Sekowsky - Wonder Woman #189 - $25
Neal Adams - House of Mystery #182 - $85
Irv Novick - Batman #215 - $45
George Wilson - Magnus, Robot Fighter #42 - $150
Curt Swan - Superman's Pal, Jimmy Olsen #122 $45
Ernie Chan - DC Superstars #10 - $30
Nick Cardy - Teen Titans #23 - $60
Ernie Chan - The Joker #8 - $50


Neal Adams - Adventure Comics #372 - $85
George Wilson - Mighty Sampson #6 - $100
Neal Adams - Hot Wheels #3 -$100
Rich Buckler - Ka-Zar #13 - $40
Neal Adams - Strange Adventures #211 - $225
George Wilson - Turok, Son of Stone #75 - $100
Joe Kubert - G.I. Combat #143 - $45
George Wilson - Dr. Solar, Man of the Atom #23 - $100
Ernie Chan - Plastic Man #15 - $50
Earl Norem - Monsters Unleashed #9 - $60
Neal Adams - Tomahawk #129 - $100

Saturday, June 28, 2008

Comic Art Legend: Dan Spiegle



Dan Spiegle really is one of the last "living legends" in the comic field today, being active fifty nine years at the drawing board producing his wonderful detailed work. This artist knew early on that he wanted to be a cartoonist submitting a strip to King Features while still just in high school. Their polite rejection and helpful suggestions inspired him even more to follow his dream, while carefully studying over his two major influences, Alex Raymond and Milton Caniff. After a stint in the navy and enrolling in the Chouinard Art Institute, he got his big break in 1949 being chosen by Bill Boyd to draw the Hopalong Cassidy strip, because of the way Dan drew horses. The strip lasted almost six years and was published in two hundred newspapers at its peak, with Spiegle's artistic skills and experimentation in storytelling (especially the use of Craftint) techniques being pushed to the limit by writer Royal King Cole.


But once the strip was bought out by the Mirror Syndicate and the artist was offered a cut in pay, he decided to leave Hoppy and developed his own property, a swashbuckling pirate daily called Penn and Chris, though it unfortunately never caught on with the syndicates. But a man with so much talent won't be left alone for long, so sure enough, Western Publishing Company picked up Dan in 1956 to work on their numerous TV and Disney features. With his long background in drawing the Old West he illustrated Dale Evans, Buffalo Bill Jr., Spin and Marty, Lawman, and his personal favorite, since he got to meet the star and hang out on the set, Maverick. After a few years, cowboy dramas slowed down at Western, so Spiegle jumped into the action/adventure titles like Brothers of the Spear, Magnus, Robot Fighter, Korak, Son of Tarzan, Lassie, and Space Family Robinson, which were titles I imagine we all grew up reading with much enjoyment. Known for his ultra realistic portrayal of any subject matter, especially in drawing a good likeness of actors, Spiegle could also draw in a animated style as well. Dan worked for Hanna-Barbara on Scooby Doo, Captain Caveman and other funny "big foot" animal features like Disney's Mickey Mouse, Goofy and film properties including Roger Rabbit, Pocahontas, and The Three Musketeers.

In the seventies and eighties, Spiegle went over to DC working his artistic magic on titles like, Batman, Jonah Hex, Unknown Soldier, Brave and the Bold, Teen Titans, The Shadow, Sgt. Rock, and others in any genre DC had to offer. At National, Dan enjoyed more artistic freedom of expression that he had when working for Dell/Gold Key, including more control over his layouts and the crucial coloring process to set the mood of a page. Later, Spiegle worked at Eclipse Comics developing his beloved Crossfire with TV and comic writer Mark Evanier, which Dan says is his most favorite comic work. The artist also worked with Mark on DC’s Blackhawk and Hollywood Superstars for Marvel. At Dark Horse Comics, he illustrated two wonderful issues of Indiana Jones, did Elvira, Mistress of the Dark for Claypool Comics, assorted magazine and book illustration, and a revival of the Terry and the Pirates strip.


I am honored to be able to help Mr. Spiegle sell some of his artwork on my site. When I spoke with him last week he was just finishing up penciling a new Simpsons issue with Homer is in the army, still drawn in his animated style, while everything else was drawn realistically around him. And though Dan enjoys the work, he admits his inking is finally getting harder to do, since he always penciled and inked his own material over his last eighty seven years. Living on the California coast, the artist likes to work in his orchard of fifty avocado trees between doing commissions, art assignments, and now playing golf, instead of his favorite sport of tennis. Unfortunately, Dan recently took a bad fall and postponed a trip to visit his family and stopped drawing, since it’s difficult to stand at an easel or sit for long periods of time. But I'm happy to report that he's doing much better now with the constant love and support of his wife, Marie, and his four wonderful children.

Wednesday, June 18, 2008

National Cartoonist Society Profile: Frank Springer


Here is the short N.C.S. bio on one of the longest lasting artist in comics, Frank Springer, whose wild point of view was always welcome as seen in these two examples from Dell and DC's mystery anthology books. -- Born, December 6, 1924 in New York city. Malverne L.I.H.S. in 1948. Bachelor of Arts from Syracuse University in 1952. U.S. Army 1952-1954. Assistant to George Wunder on "Terry" 1955-1960. Freelance ever since. Comic books for Dell, D.C., Marvel, - Sports, Political cartoons for New York Daily News, Newsday and others. Illustrated strips for Playboy, National Lampoon, Inside Sports, Games. Drew "The Adventures of Phoebe Zeit-Geist "(Grove Press) with the late - alas - Michael O'Donoghue. My own strip "The Virtue of Vera Valiant" with Stan Lee - fun while it lasted. Animated some Saturday A.M. mayhem - "Space Ghost" - with a group which expanded - later- into "The Berndt Toast Gang" - now the Long Island chapter of the N.C.S. Currently illustrating "The Adventures of Hedley Kase" for "Sports Illustrated for Kids". Member of National Cartoonist Society since 1965 - category awards, comic books for 1973, 1977, 1982, served on board for off & on, eight years - currently president. Married Barbara Bunting in 1956 and we have five wonderful children. Acted in amateur theater for twenty years, biked across Iowa a few times, ran a marathon, followed the Mets. Toughest- the later. Enjoy opera, vintage pop & jazz. Live on the water in Damariscotta, Maine after sixty five years on Long Island. As you see by this sub-par lettering, I'm a lefty.