Rocket's Blast Comic Collector Art Prices

A good friend of mine has a large collection of the earliest and best known of comic fanzine's, the Rocket's Blast Comic Collector. One of the first “adzines” from the late 1960s it was filled with ads for comics, movies, old time radio, original art, convention reports, and other various fan publications. It also had great articles, interviews, comic reprints, and artwork from pros like Frank Brunner, Mike Ploog, Steve Ditko, Neal Adams, Tom Sutton, Berni Wrightson. It also showcased new talent that later would become professionals, including Don Newton, Mike Zeck, Kerry Gammill, Bret Blevins, and others. When the magazine ended in the late 1970s the Comics Buyer’s Guide picked up a lot of these features, but the art prices from RBCC being earlier are even lower!

For example, here are prices from the 1971 RBCC #74 by dealer Gary Dolgoff, who is still going strong, selling art and comics today. It seemed the “magic price” in this ad was fifteen dollars for spectacular pieces -- like Steve Ditko Thunder Agent pages, or even Dr. Strange art from Strange Tales #125. Lots of Tower artwork had apparently just been released from the publisher, since there was a great deal on the market from different sellers at super cheep prices, since almost all the Wally Wood pages of Noman and Dynamo were also running $15 @ from Thunder Agents #3-9. Gil Kane’s Undersea Agent #5 examples were a mere $10 a piece or you could have any of DC's Green Lantern #55 or Atom #36 for the same low price. George Tuska or Mike Sekowsky Thunder Agents pages from issue #7 were selling on average for $7.50 a panel page!

How about some gritty “Big 5” action by artist Joe Kubert. His war pages were $8 and a Sgt. Rock cover ran only $15, or pieces from the early try-out Hawkman books from Brave and the Bold #44 for fifteen bucks! But some of the best deals I saw would have to be a Jack “King” Kirby cover for the Mighty Thor #161 for thirty dollars, and wonderful Human Torch pages from Strange Tales for 20.00 for a splash or that magic fifteen dollar price for various assorted pages. A John Severin Sgt. Fury cover for issue 34 would set you back a mere $25, same price for a Dan Atkins X-Men #34 cover. But the great examples from X-Men #18 or #19 by Werner Roth were only $7.50 a page! Take your pick for the twenty offered.

Dick Dillin 's Justice League of America pieces from issue #68 were only fifty cents more than the Werner Roth. While some higher priced Dell work from Russ Manning were $17.00 for Magnus Robot Fighter artwork, but more affordable pages from his Ben-Hur one-shot were $12. Dynamic examples from the dynamite team of Carmine Infantino and Murphy Anderson on their Mystery in Space run had pages from #79 or #81 with Adam Strange at $15 or $20 for a splash, and even Anderson’s Hourman pages from Showcase #56 were twelve bucks. The absoluute cheapest deal was a cover to an undisclosed issue of Men of War by Irv Novick for $7.50, I guess it didn't matter which one it was at that price! The very highest priced page in the advertisement was from X-Men #58, pg. 10 to be exact by Neal Adams for $25. Let the good times roll!

Sensational Strips: McKimson & Aren's Roy Rogers

The forties boomed with many a wild and wooly Western newspaper strip, but the last great sagebrush drama to arrive in December 1949 was the famous movie cowboy, Roy Rogers, distributed by none other than King Features Syndicate. Feeling a lot like a grade-B movie, the storylines followed similar themes of Roy's cinema tales, where our hero would ride into town just in the nick of time to save a lone rancher falling off a cliff or foil a local bank robbery in process. With the help of his wonder horse, the beautiful Trigger, and a group of good-hearted country sidekicks, Roy had some very action-packed yarns. This strip was loaded with long panoramic vistas of the West, and dynamic panel layouts - especially on the Sunday page. Too bad there was not much use of his lovely wife, Dale Arden, in those daily or Sunday gems, but the writer's stuck with humorous partners for Roy to get in and out of numerous scrapes with. Initially drawn by brothers Tom and Chuck McKimson, they did an excellent job with cowboy stories, probably from their many years working with Disney Studios. But starting in the mid fifties, the talented Mike Arens took over the reins (from Trigger) and the other cast members, drawn in his smart, crisp style, was a perfect match for the strip. Unfortunately, the love of the West was slowing dying out in comics, movies, and newspaper features in the late fifties, so Roger's and his pals took their last ride into the 4-color sunset in 1961. Happy Trails!

Jerry Grandenetti's "The Last Command!"

Jerry Grandenetti was one of my favorite artist to work for DC Comics drawing Western, sci-fi , mystery-suspense, crime, superhero, and especially his war features for the various DC "Big 5"anthology books. Coupled with Robert Kanigher they produced some memorable characters and storylines, using some of Jerry's experiences in the Navy during WWII for reference. So I thought I'd show off a few of his stories, done in his later "looser" art style from the seventies, and start off with submarine warfare thriller called...

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National Cartoonist Society Profile: Brad Anderson

Here is another in my series of favorite artists that are also members of the National Cartoonist Society. Today my focus is on one very hungry Great Dane that has been begging food for the past fifty five years, and still going strong, the lovable Marmaduke. Here is the short bio of his creator, Brad Anderson.... Came into this ol' world May 14, 1924 in Jamestown New York, Cartooned my way through high school, and Syracuse University Fine Arts. Spent World War II in the engine room of an LCI. Married Barbara which resulted in Christine, Graig, Paul, and Mark. Began freelance cartoon career at age fifteen with many sales to "Flying Aces". Freelanced to most of the major markets until Marmaduke was syndicated in 1954. "He" grew from eight papers newspapers to over five hundred. Marmaduke has been licensed for numerous products, had a TV show, many books, and has allowed me one of my greatest joys, to talk cartoons to multitudes of school kids.