Buried Treasure: The Seekers

Premiering in the Daily Sketch on May 2, 1966, The Seekers was a thrilling strip cast in the image of Peter O'Donnell's Modesty Blaise, and trying to capitalize on its tremendous success. Writer Les Lilly and artist John Burns created a missing persons bureau called Seekers, run by Una Frost. The two main players for the stories was the lovely brunette Susanne Dove and the dashing blond Jacob Benedick, who were often assisted in their exploits by Duffy, for his needed underworld contacts. Drawn in a similar style to the late Jim Holdaway, Burns' always delivered solid and exciting visual images to complement Lilly's well written scripts that lead our heroes on numerous adventures over its five year run. With no formal art training Burns became a fine illustrator, starting out as children's features before picking up the strips, developing his more edgy adult style and eventually drawing the story's inspiration, Modesty Blaise, years later.

National Cartoonist Society Profile: Jose Delbo

Jose Delbo has drawn for scores of American comic book companies since moving to the United States in the mid-sixties. Starting at Charlton Comics he worked on numerous Western and horror titles before joining Dell to illustrate their humor and TV related properties. With a stint at both Tower and Western Comics he drew various sci-fi and adventure books before joining DC for many rewarding years. Jose's strong work ethic never allowed him to stop drawing, doing freelance for other independent publishers, Marvel Comics, and syndicated newspaper strips, before ending his career teaching at Joe Kubert's School of Cartooning and Graphic Arts. Here is his brief bio...Born in Bueno Aires, Argentina and at sixteen I started selling to comic book publishers throughout South America, moved to the United States in 1965, beginning with "Charlton" I sold to all the majors including "DC" and "Marvel", titles include, "Billy the Kid", "The Monkees", "The Lone Ranger", "Turok", "Yellow Submarine", "Wonder Woman", etc. Strip work includes "Superman" and "Phantom" dailies. All accomplished with the help of my wife Mabelle and my family! Joined the NCS in 1990 and was honored by being elected a vice president in 1995, not bad for a guy who talks funny!

My Greatest Adventure: El Diablo

Never achiving it's own title, this supernatural Western feature rightfully ended up in Weird Westen Tales and as a backup feature to Jonah Hex. It all started when a wealthy California gentleman Lazurus Lane was nearly killed after trying to stop a bank robbery in 1866, being struck by lightning and left in a comatose state. Doctors could do nothing to restore Lane, until an mysterious Apache shaman named Wise Owl arrived and used his mystic skills to heal him. One fateful night months later, Lazurus Lane suddenly awoke from his coma, but his spirit was now splint in two; one remained as Lazurus' silent husk, while the other became a supernatural avenging being called El Diablo! With his first appearance in the second series of All-Star Western #2 in 1970, El Diablo administered his severe code of justice, with fist, six gun, or whip, to the many criminal elements of the Old West. A expert marksman's and horseback rider, this "devil of a man" can preform amazing feats of athleticism, with knife, bolo, or any other weapon close at hand.

Tom Sutton's Planet of the Apes Original Art Prices!

Years ago in the ultimate fanzine, Rocket's Blast Comic Collector, issue #132 had another favorite artist, Tom Sutton, selling off a number of his wonderful Planet of the Apes pages he drew for Marvel's black and white magazines. The ad had a future clad gorilla reaching out and shouting straight at you, ..."Hey human, wanna buy some ape stuff?" Having had some of these great pages, they were illustrated in the larger format of 19.5 x 13.5 inches, with lots of Sutton's spectacular detail that the artist claimed was "impossible to reproduce faithfully." For one hundred eighty nine dollars you could have his "Dreamer in Emerald Silence" from POTA #15, December 1975, which was one of Sutton's favorite stories for the series. Issue #24 "Shadows of Haunted Cathedralus" was selling for a mere $140 for the twenty page story, which averaged at seven dollars a page! He had eight gritty sets to hawk, selling only the complete stories if possible to his many fans. All his ape pages were offered at that same rock bottom $7 price, including the ones he inked on issue #19 with pencils by the dynamic Mike Ploog.

Sutton was even gracious enough to try to keep the stories together, when he said he would reproduce a double page spread that was lost for POTA #18, February 1976, "Graveyard of Lost Ships" for $75, plus the $126 for the eighteen pages he still had. Tom used lots of over the top blurbs to promote these pages, as he'd done before, like..."see the giant living brains!" he used for the "Messiah of Monkey Demons" from POTA #23, August 1976, or "experience the eerie ape city" for the complete twenty page story entitled "Society of Psychedrome" from April, 1976. Overall, Sutton had one hundred thirty seven pages of Planet of the Apes pages for sale from his later "Future History Chronicles" and "Jason and Alex Apes Series" storylines, that added up to $959 for the eight sets. But never wanting to miss a deal, the artist was willing to sell the whole lot to the first lucky buyer that wanted to purchase them all for only $600, or about $4.38 a page. Too bad I was still a teen collecting comics, before I later wised up to the real joy of owning the original art to these spectacular pages.